Category Archives: Ancient Art

Christie’s sale preview – Sunday November 26 – Rosemary Scott – Flowers and Birds in Chinese Ceramics


Blue and White magpie and prunus moonflask, Yongzheng period (1723–1735).  Image courtesy: Christies

Flowers and Birds

The first depictions of both motives were focusing on the food and supply rather than on aesthetics. The emerging use for art dates back from 265-420 with 2 painters specialised in it. During the Tang Dynasty, about 80 painters were recorded for bird and flower paintings. Naturalistic groups were painted on 2 dimentional works but also on ceramics.


Image 1 peacocks. 12-14th c by Zhang Daquian or after him.

The pieces from the Changsha kilns show examples of Tang dynasty ceramics with birds and flowers. During the Song dunasty, Cui Boas a painter – 11th, shows the rise of popularity in painting plums blossom. In the Song dynasty,  an imperial painting academy was established by emperor Huizong 1101-1125. Pillows for tombs were also decorated with the Yibi style ( literaty style) showing birds or animals, for instance the Tiger pillow from Jin dynasty excavated in 1996.


image 4: Zhao Mengfu

Painter at court for Kubulai Khan, Zhao Mengfu, painted in a manner tending to go back to Song classics, such as Wang Yuan,painter from 1280 to 1349. In the Yuan dynasty, Porcelain was painted with birds and flowers but motives were still limited, mainly  Lotus and ducks.


Image 5 : Bian Lu

Ming and Qing dynasty:

Naturalistic paintings emerged on porcelain with the Ming. In 15th century, birds went from vase to dishes and cricket jars. Then, hen, chicks and chicken cups became fashionable. Birthday plates and flasks with enamels were also bearing birds.Wild geese were very popular as well. They appeared as early as Song dynasty and related to the many symbols of geese, each position matching a blessing or a symbol.

Ming and Qing dynasty pieces with birds and flowers are now the most expensive pieces of imperial porcelains. During the Qing dynasty,  Castiglione  or Mao Yi painted many panels which are highly valued today. 


For the Imperial Court:

Qing porcelain from the Percival David Foundation of Chinese Art

Rosemary E. Scott, Percival David Foundation of Chinese Art

OCS lecture – November 22 -Yue Ware and Longquan Ware by Lai Suk Yee

For the 24th  OCS Annual general meeting, Ms. Lai Suk Yee gave a lecture on Yue Ware and Longquan Ware : Tributes to Court and Commodities for Export


Yue ware bowl with carved lotus petal motif, 10th century; Diameter 16 cm, base 8.5 cm, height 8 cm

What is the difference between Yue Ware and Longquan Ware?


Lai Suk Yee refered to the Period from Tang to Yuan dynasties, so from 8 to 14th centuries.


  • In the Wuyue kingdom – in the area of Bianjing, Yue Ware were produced in the Yue kilns. There is however a difference for Yue ware  : the green-based coming from  South and the White based Xing Ware from  North.
  • They were replacing bronzes and lacquerware for daily use.
  • Is one better than the other? The writer Lu Yu (733-804) wrote a book on classic tea in 780 and placed Yue Ware higher than Xing Ware.
  • During the Tang and the 5 dynasties period, Wuyue region was at peace so the Yue Ware developped. The emperors, from 893 to 978, were devoted to bouddhism and enjoyed Yue ware with lotus patterns. It influenced other regions, even Corea.

  • Dragons, lotus and phoenics motives were either hand carved or moulded, with a technology transfer from metal to ceramic.


Many shipwrecks were discovered lately with Yue Ware loads. The HK Museum of History organised an exhibition: “Across the Oceans: the Local Connections and Global Dimensions of China’s Maritime Silk Road”, until December 27th, with some items recovered in 1988 in a shipwreck, dating 826. Another shipwreck shows later examples from second half of 10 th century, found in 2005. Those discoveries underline the interest for Yue Ware in Asia and how it provided luxury trade at the time with mass manufactured ceramics.

Across the Oceans : 26/10/2016 – 27/12/2016 Free admission Venue: Special Exhibition Gallery, Hong Kong Museum of History

The secret Ware: What is the Mise Ware?


Mise Ware, meaning secret color, and glass ware from Famen temple were found in the 1980s and show exotic shapes and colors. It seemed the jade like color and texture of MISE Ware are still difficult to explain nowadays. According to the pictures showed, those secret colored wares were looking very much like jades.

Sourhern Song dynasty : Longquan Ware


Longquan ware Saucer dish with slip design of antelope and foliate edge 1279

Moving from North to South, the Song court was missing bronze ritual vessels.New ware were to be produced for domestic market and export, through the silk road. The uprising of Longquan Ware started with shapes inherited from Yue Ware. They put many layers of glaze to imitate the Yue glaze in green jade color. The Longquan established white bodies for mass production and luxury trade. Popular shapes emerged.

Zhu yu , Pingzhou Ketan, 1119 : book on seagoing trade and ships of the period.

With the Yuan, new shapes emerged, for instance with iron spots. It brought merchants great fortunes. It continued to be a great export good until early Qing.


Covered ewer with incised floral design Longquan ware. Ming Dynasty

Artymathilde at Liang Yi Museum – The Secret Garden: Symbols of nature in wood, silver and gold

Until March 2017, The liang Yi Museum’s special exhibition showcases the key natural motives which inspired Chinese and Western decorative arts.


With that ambitious thematic, the exhibition proposes to explore how natural elements influenced decoration and craftmen in the last centuries. An interesting focus, with more than 200 pieces from the Fung Collection, devided in 2 floors. On the 1st level, Chinese pieces in Zitan wood on the one side, on Huanghuali on the other side, gathering examples of blessings and protective animals cherished by both Ming and Qing dynasties.


Highlight: Chinese pagoda which belonged to emperor Qianlong , with 4 inscriptions at the back : in Chinese, Mongolian, Tibetan and Mandchurian. A precious sample of Chinese architecture.


On the upper floor, a large collection of 19th – 20 th century silversmith from Italy, England, United States, France, Russia and Japan. A beautiful specimen of silver and gold from prestigious tables and bathrooms.


Nature is also depicted on vanity cases on display under their showcases, highest symbols of elegant beauty from the 1910s  to 1970s.

Liang Yi Museum

Exhibition dates – 1 September 2016 to March 2017

By appointment only
Opening hours: Tuesday to Saturday, 10am to 6pm; Closed on Sundays, Mondays and Public Holidays

Tel: +852 2806 8280
Location: 181-199 Hollywood Road, Sheung Wan, Hong Kong

Artymathilde at pier 8 – Norwegian Tall ship : Sorlandet

You enjoy sailing?

You like maritime heritage?

You want to see a legendary tall ship in Hong Kong?


The Sorlandet was built in 1927 thanks to the generosity of the Norwegian philanthropist and shipowner Oluf Andreas Tollefsen Skjelbred, who was a skilled ship captain himself. The ship now serves as a sailing and nautical training school, in adequation to the will of her owner.


The Sorlandet is now in Hong Kong!!!! Pier 8!!!! The welcoming ceremony was hold last Tuesday afternoon, with the traditionnal decorum!

On Saturday July 2nd, in partnership with the Maritime Museum, the Sorlandet is open to visitors. Don’t forget to book – enquiries 3713 2500!!!! First arrived first served….


Helm Of The Sorlandet Tall Ship by Lingfai Leung

Discover more on the sorlandet on their official website:

artymathilde at Liang Yi Museum – Masterpieces of British Silver: Highlights from the Victoria and Albert Museum

You like fine artefacts?

You want to know more about British Silver?

You like antique and modern pieces?

Don’t miss Masterpieces of British Silver: Highlights from the Victoria and Albert Museum, at the Liang Yi Museum until August 18th 2016.

Coffee Pot -London  1743-44

Coffee-pot or hot-water jug. London, Paul de Lamerie, 1743–44. Silver and wood, height 35.6cm

Box - Michael Rowe 1978 London

Box. Michael Rowe, London, 1978. Silver and gold, 22 x 33cm, The Victoria and Albert Museum, London


Breakfast Bouquet, Juliane Schloss, Germany, 2010, Silver and Stainless Steel, V and A

With  46 pieces from the V and A, among which some taken from the Rosalinde and Arthur Gilbert Collection, and 15 pieces from the Fung Collection, that exhibition displays beautiful pieces from the 18th to the 21 st century.


From Soup tureens to cabaret pieces, from vases, sculptures, platters and knives to tropheys, that exhibition shows the extreme power and sensibility of silver and steel.

From luxury stands to ritual objects:

“By 1600 owning a collection of magnificent artworks was a princely obligation. One of the richest displays in the gallery features wonders of the natural world – fossils, minerals, shells, animal horns – encapsulated in elaborate silver mounts to create a colourful, exotic treasury. These were not simply display items: drinking from coconut shells was believed to offer a powerful aphrodisiac, while serpentine and rhinoceros horn warded against poison…

Screen Shot 2016-02-18 at 17.49.39

At the Victoria and Albert Museum, in the European section of the Silver galleries, over 1400 objects from Britain and the world reflect key social issues and developments in the craft during a period of massive expansion. Thematic displays in the galleries are devoted to the changing uses of silver in the home, technological innovation, manufacturing and new markets, international exhibitions and the battles of the styles.”

To learn more on technical aspects:  Techniques of Decoration on Arms and Armor


Reunion II, Ja-Kyung Shin, Germany Nuremberg, 2010, Electroplated silver, V and A

Liang Yi Museum 

181-199 Hollywood Road,

Sheung Wan, Hong Kong

(852) 2806-8280


Until  August 18, 2016

Opening Hours : Tuesday to Saturday, 10am to 6pm.

Closed on Sundays, Mondays and Public Holidays.

Admission Fee : HK$200 includes a guided tour, HK$300 includes a guided tour and exhibition catalogue. Appointments are required. Wednesdays are open free of charge to full-time students with prior arrangement.

artymathilde at Christie’s Spring preview

You like Chinese Art,

You enjoy previews,

You want to know the results,

From Saturday May 28th to Tuesday 31st, Spring Auctions and 30 years anniversary of Christie’s in Hong Kong…



The OCS tour, with Pola Antebi, Chinese Ceramics & Works of Art

Screen Shot 2016-06-03 at 5.06.14 PM

A magnificent very rare large blue and white ‘dragon’ jar, guan Xuande four-character mark in underglaze blue and of the period (1426-1435). 19⅛ in. (48.5 cm.) high. Estimate: HK$60,000,000-80,000,000 / fetched HK$562,500

That Dragon Vase  was found in Swiss – passed from French grand-mother through family. It was an umbrella stand, on display outside. The MET has a similar piece – part of a set. It was meant for the London sale but the piece was underestimated and undervalued… So it was sent to HK after further examination. 


IMPERIAL INSCRIBED CLOISONNE ENAMEL AND GILT-BRONZE RUYI-SHAPED PANEL, QIANLONG PERIOD (1736-1795), Estimate HK$12,000,000 – HK$15,000,000 ($1,552,592 – $1,940,741), fetched  HK$15,640,000

 That cloisonne enamel piece comes from the Bishop collection. It was Emperor Quianlong present to his mother: A poem from the emperor allowed to identify it. With that Ruyi shape and the exceptionnal colors, it is a beautiful piece. 

Miscallaneous from the Golden Ages…


A Huolin Confucius Style lacquered Qin, Southern Song Dynasty, perfectly tuned.

People collecting it still play it…Amasing!!


Lu Fusheng 1949, scroll mounted on frame, Lady and Horse in Tang dynasty.

That Horse is so funny!!!


More sales results



artymathilde at International Antiques Fair

Until tomorrow 5 pm, enjoy the display of fine antiques from all over the world, at HKCEC.


With 12 french galleries and about 80 exhibitors, that 9th edition presents more french galleries than the past, in partnership with LeFrenchMay


18th century Bronze statue – China, picture@artymathilde

‘Having previously participated in the Hong Kong fair, Christian Deydier, an expert in Chinese archaic bronzes and the former president of the Syndicat National des Antiquaires and of the Biennale des Antiquaires, has convinced several new European galleries to join him at this year’s fair. Instead of taking full booths, several dealers including Oscar Graf and Galerie Pascal Lansberg, which both specialize in decorative arts, and Galerie Mermoz, a specialist of pre-Columbian art, are joining forces to present a selection of objects from their galleries in the Les Pavillons section.

Visitors from mainland China represent about 60 percent of attendees, says fair director Ronald Chak, adding they are showing an increasing interest in broadening their collecting horizons. Even for Chinese antiques, collectors’ tastes have been evolving in recent years, Chak adds, pointing out more are moving from Ming and Qing Dynasties toward the older Song Dynasty.’

Sonia Kolesnikov-Jessop | March 31, 2016

– See more at:



Miniature wardrobe, Japan, 19th century, picture@artymathilde


Aubusson tapestry, 18th century, France, Chinoiserie after Francois Boucher, picture@artymathilde




Hong Kong Convention and Exhibition Centre – Hall 5BC

Exhibitor Registration:

26th May, (Thu) 3pm – 7pm

27th May, (Fri) 9am – 4pm

Exhibitor Move-In:

26th May, (Thu) 5pm-10pm

27th May, (Fri) 9am-4pm

Cocktail & Buffet:

27th May, (Fri) 6pm & 8pm (By Invitation Only)

Opening Cocktail:

28th May, (Sat) Start at 11am

(Ribbon Cutting Ceremony at 12noon)

Open to Public:

28th May, (Sat) 12noon – 7pm

29th – 30th May, (Sun to Mon) 11am-7pm

31st May, (Tue) 11am-5pm

Exhibitor Move-out:

31st May, (Tue) 5pm – 10pm